SOCAL+HAWAII SDA NEWS

ARTIST OF THE MONTH - Deborah Weir

Sunday, April 1, 2012

SOCAL+HAWAII SD NEWS

Deborah Weir's Solo Exhibition
Fierce Winds
May 15-June 2, 2012
Frostburg Museum
Hill and Oak Streets Frostburg, MD 21532
(301) 689-1195


This is an exhibit of 20 of Deborah Weir's colorful Fierce Winds series fine art quilts. They feature an array of surface design techniques including dyeing, painting, printing, laminating, soy wax resist and hand stitching, and they evoke both the destruction and the beauty of nature's force.


ARTIST STATEMENT:
Though I started out as a costume designer, I had a career as a linguist for 34 years, but never stopped making art. Since I retired in 2006, I’ve gotten a boost of creative energy inspired in part by professional workshops with Jan Beaney and Jean Littlejohn and Jane Dunnewold which have helped me hone my skills and further develop my voice as a mixed media textile artist. Though contemporary in every sense, the work I do references traditional “women’s work,” slowly built up, mostly by hand, with a needle, using traditional materials – thread, floss, beads – in addition to more modern ones such as Tyvek, metals and textured paints. My work is detailed, often with reflective surfaces and tiny, rich elements, and does not always neatly fit typical categories but extends the definition of the “quilt” to include dyeing, painting, printing, collage and heavily worked or embroidered surfaces. I love the process of making, but my work is always idea driven. I work in series so that I can pursue themes of importance to me. The 40,000-15,000 year-old cave paintings of northern Spain and southern France, and Australia, are the subject of one such series. Pomegranates, which represent fecundity and come in the most amazing colors, are another. Detritus: rusty metal, bits of plastics and random “junk” sparkle and seduce when repurposed into art and comprise yet another. Language, of course, including early human mark-making, is an ever-present theme. Recently I have been considering the planet's lack of usable water which impacts the lives of countless members of the human family, and also the detritus we leave behind us. This exhibit focuses on Fierce Winds, natural phenomena which tear through the lives of people around the globe often leaving a trail of terrible destruction in their wake. As with much in nature, excitement and beauty accompany the devastation. The work is best viewed both from afar and up close so the overall image is seen in relation to the detailed surface. The objective of my artwork is to awaken the mind of the viewer by means of visual seduction.

Harmattan II

Oroshi

Santa Anas

BACKGROUND:
1968 B.A. Costume Design, University of Hawaii
1973 M.A. Deaf Education, California State University, Northridge
1989 M.A. Linguistics, California State University, Long Beach
1972-1976 Taught the Deaf for Los Angeles County Special Education
1977-2006 Taught the Deaf and ESL at El Camino College, Torrance, CA
2006-present Full time studio textile artist

EXHIBITIONS:
Solo Shows:
Deborah Weir at the Hangar Gallery, Santa Monica, CA, 2010
Deborah Weir: Textiles, C1D Gallery, Long Beach, CA, 2008
Deborah Weir: A Career, STRS Gallery, Sacramento, CA, 2007.
Deborah's work has been seen in numerous exhibitions in galleries, museums and festivals in the US, Australia, Korea and Europe, and in catalogs, art magazine and, most recently, in Best of Artists Worldwide Abstract and Mixed Media volume II, 2012.
Curated:
Quilts on the Wall at the Hangar. Santa Monica, CA, 2012 Three Perspectives, Performing Arts Center, Redondo Beach, CA, 2010

For more information, please contact:
Deborah Weir
FiberFly@cox.net
www.DeborahWeir.net
FiberFly.blogspot.com
21 Encanto Dr. Rolling Hills Estates, CA 90274
310 325-1895

Tuesday, March 27, 2012

Conference Workshops: April 2-4, 2012
Surface Design Association and the Studio Art Quilt Associates present: We would like to encourage our Southern California members to attend the 2012 Surface Design “Identity: Context and Reflection” Conference. This year, once again, it looks like SDA will deliver a topnotch program with the “Context and Reflection” in Philadelphia Marriott West, West Conshohocken, Pennsylvania. SDA will offer 2 days conference with workshops presenting by:

Anne Vickrey Evans: Hybrid Felt for Artistic Yardage
Lorraine Glessner: Mark-Making Explorations for Surface Design
Judy Langille: Cut, Slash, and Tear Your Way to Innovative Fabric Design
Cameron Anne Mason: Beyond the Surface: Sculptural Explorations with Soft Materials
Jan Myers-Newbury: A Pole and a Piece of Fabric
Laura Sapelly: The Stitched Journal
Adrienne Sloane: Knit Anything: Not Clothing

SDA conferences are a wonderful vehicle that brings to its members inspiring workshops, newest innovations, and informative lectures from the top contributors to the fiber art field in a friendly atmosphere of camaraderie with fellow fiber artists. By now, you should have received your brochure about the conference in the mail if you are a SDA member and you should also be getting SDA “eNews” newsletters about the conference soon.  
For more information, please visit
SURFACE DESIGN ASSOCIATION at:
http://www.surfacedesign.org/

Or contact: 
SURFACE DESIGN ASSOCIATION
P.O. Box 360, Sebastopol, CA, 95473-0360
Phone 707.829.3110
Fax 707.829.3285

HGA’s Convergence® 2012 Long Beach

In The News

HGA’s Convergence® 2012 Long Beach - July 15 - 21, 2012

Long Beach, California, USA

The Convergence conference is organized and sponsored by the Handweavers Guild of America, Inc. The Convergence conference is an outstanding conference for everyone who loves and works in fiber. It is the biennial, international conference sponsored and organized by the Handweavers Guild of America, Inc. (HGA), with the help of many dedicated fiber enthusiasts. Convergence features special lectures, workshops, one-day studio classes, super seminars, seminars, exhibits, tours, special events, and a commercial vendor hall full of fibers, fiber-related equipment, and an artist market. The classes include novice to advanced instruction in a variety of fiber techniques, including weaving, spinning, dyeing, basketry, feltmaking, knitting, garment construction and sewing with handwovens, and more! For morre information, please visit: http://www.weavespindye.org/?loc=8-00-00 or contact:

HGA
1255 Buford Highway, Suite 211 Suwanee,
Georgia 30024
Telephone: 678-730-0010
Fax: 678-730-0836
Email: hga@weavespindye.org

Exhibitions

VISIONS ART MUSEUM - February 3—April 22, 2012

Magical Mystery Tour: en homage

The Beatles were immortalized in art quilts when members of Canyon Quilters of San Diego created quilts slightly larger than an album cover that were inspired by a Beatles song, album or movie. For more information, please visit: http://www.quiltvisions.org

LACMA - February 18, 2012–May 13, 2012

Common Places: Printing, Embroidery, and the Art of Global Mapping

Common Places features three objects from LACMA’s permanent collection which transform printed works on paper into one-of-a-kind embroideries: a seventeenth-century valance, a cigarette silks quilt, and Alighiero Boetti’s Mappa. The resulting textiles articulate contemporary aspects of global phenomena and suggest that far from being a recent development, globalization has deep historical roots that extended into the home and everyday life. For more information, please visit: http://www.lacma.org/art/exhibition/common-places-printing-embroidery-and-art-global-mapping

Fiber Art Calls for Entry

Feltrosa 2012 - Miagliano (BI), Italy

Deadline: April 10, 2012 (EMAIL) or (RECEIVE)

The Felt of the Shaman - in the footsteps of Joseph Beuys Call for entries for an exhibition of costumes, clothing accessories, wearable items for the event scheduled for Feltrosa 2012. For more information, please visit: http://feltrosa.com/index.php/english/call-for-entries.html

Wearable Art Awards 2013 - Port Moody, British Columbia

Deadline: November 15, 2012 (ONLINE)

The Wearable Art Awards is not a fashion show, it is a multi-media performance where the human body becomes a living, breathing, moving canvas. We are looking for more than a “pretty dress.” We are asking you to go deep into your imagination to create a wearable piece of art that challenges what most consider to be wearable, or everyday fashion. The Wearable Art Awards is committed to challenging artists of all mediums to push their imaginations to create evocative, imaginative and thought provoking sculpture for the human body. For more information, please visit: http://www.wearableartawards.com/

Fiber Options: Material Explorations - Annapolis, Maryland

Deadline: May 9, 2012 (ONLINE)

The Maryland Federation of Art (MFA) invites all artists residing in the United States, Puerto Rico and Canada to enter its open-juried competition for artists working with fiber. Any two- or three-dimensional submission following exhibition guidelines will be considered by the juror. For more information, please visit: http://www.mdfedart.com/pages/call_for_artists.php

Caroline Rousset-Johnson

Caroline Rousset-Johnson
SDA Rep/South California

Golden Cage

Golden Cage
© Caroline Rousset-Johnson

Caroline's bio

“Thread is ink in the world of fiber art”

My passion for fibers and threads started when I was five years old learning embroidery, crochet, knitting, and sewing on the convent school ground of the Couvent des Oiseaux in Vietnam. This passion has persisted though out my life, but in recent years has become stronger and has helped me to focus my artistic visions.

I am interested in the cross fertilization between graphic artist, costume designer and fiber art. To date, armed with a bachelor degree in fine art and graphic design, I continue to explore this art form in my MFA costume theater thesis by combining my knowledge of thread and graphic design into storytelling.

My work and time with graphic design has been an inspiration to explore more, such as the nature, lines, forms, shapes, and possibilities of thread and the mechanics of different processes. The bold use of line, color, and dramatic metaphor translate directly into my creations, which I think of as three-dimensional illustrations. Conceptually, colored threads, like ink, have the power to challenge and entice us to narrate stories of nature, culture and characters.

My current works are composed of a collection of cultural representations, needlework and symbols. The central theme of my work is based on human conscience; fragments of the mind. These intimate portraits, or representations, are composed of layered emotional states; i.e. self-identity, moral issues, sexuality and memory; conditions that are natural to us all.

Through the dramatic and often discerning visions of the human behavior, I create pieces that speak of past optimism, present problems, and future possibilities.

Sara Hayes

Sara Hayes
SDA Assistant Rep/South California

Tree House

Tree House
Sara Hayes, 2009

Sara Hayes's Bio

I look forward to representing this dynamic region of surface design artists. I was motivated to become a SDA representative after attending the two previous conferences: “Beneath the Surface: Behind the Scenes” hosted by Penny Collins and Meredith Strauss at the Woodbury University in Burbank in 2006 and the Surface Design Association’s “Off the Grid” in Kansas City last May 2009. Surface Design members are friendly and passionate about sharing their textile interests. I hope to see many of you in March at the “Reinvention” conference co-sponsored by the Surface Design Association and Studio Art Quilt Associates.

I started working in fiber with Bernice Colman and Mary Ann Glantz at Cal State University Northridge in the mid-seventies. After graduating, my husband and I moved to San Diego and I started working in costume and puppet design. During that time, I worked in art education enrichment programs in various elementary and middle school classrooms. I attended classes with Helen Shirk and Joan Austin at San Diego State University. I am currently working with Kathryn Harris, who is the vastly knowledgeable and ever encouraging professor for the Fiber Program at SDSU. Working with art students expands my horizons.

Raising two daughters, I became interested in illustration for children’s literature. I like to “draw” using appliqué and embroidery because their gestural qualities are natural for art book illustration. Influenced by workshops given by Jane Dunnewold, Jill Berry and Helen Shafer Garcia, I am exploring mixed media art books that combine soy wax batik, water color and acrylic painting on paper and cloth. These books will be used for children’s story telling and for book art exhibition where they can be enjoyed by children of all ages.